搜索结果：Hoi （共 256 条结果）
性的魔鬼
语言：泰语 / 粤语
简介：This Thai flick is pretty funky in its’ production values and acting level – plays kind of like a high-school made video. The ‘plot’ involves the ‘ghost’ of a girl who was saved from a rape by a witch/ghost who then inhabits her body and wreaks vengeance on a series of unsuspecting guys by murdering them during sex (chomping off their privates!). A group of students makes a fie......
来自深河的男人
语言：意大利语 / Bur
主演： IvanRassimovMeMeLaiPratitsakSinghara
简介：A photographer accidentally kills a man in self-defense and while retreating into the jungles of an Asian country, is captured by a native tribe who hold him captive, force him into slave labor, and eventually accept him when he marries the chief's daughter. Throughout the whole film, I never felt this was a horror film. It was more reminiscent of a drama, like A MAN CALLED HOR... </span> <a href="javascript:void(0)" class="j a_show_full">(展开全部)</a> </span> <span class="all hidden"> A photographer accidentally kills a man in self-defense and while retreating into the jungles of an Asian country, is captured by a native tribe who hold him captive, force him into slave labor, and eventually accept him when he marries the chief's daughter. Throughout the whole film, I never felt this was a horror film. It was more reminiscent of a drama, like A MAN CALLED HORSE, which I liked better. Ivan Rassimov is pretty good as the photographer, but it is Me Me Lai as the chief's daughter who is memorable and great. I have always been a Me Me Lai fan ever since her breathtaking performance in JUNGLE HOLOCAUST and she is never given credit for her acting chops because she hardly speaks in her films. She is still very talented and charming. Lots of real animal mutilation is the one thing about DEEP RIVER that could make it a horror film, but even that doesn't execute well....
非常突然
导演： 宋月静
语言：汉语普通话
主演： 李艾徐洁儿伊一陈欢侯天悦亚丽金相凯侯天悦TianyueHou龙怀忠
简介：20岁的董佳佳（何宁宁饰）是一名大学生，也是一位网络主播。直播过程中，董佳佳突然收到巨额礼物，随之而来的爱情不仅有幸福，还有突然而来的孩子。沉浸于幸福中的她忽然遭遇“被小三”，面临最残酷的“人生选择”。30岁的李乐（李艾饰）是事业女强人，终日忙碌于自己的婚纱店。一天，小宝的“父亲”（陈欢饰）突然离开，她必须自己照管孩子。突然的相处让她学会爱与责任，面对“保姆爸爸”提出的“转正”要求，李乐该如何选择？40岁的厉薇（徐洁儿饰）看似生活完美，有一个亲密无间的老公，其实正面临中年危机，生活的琐碎已经磨平了两人的激情，平静的生活下波澜暗涌。突然降临的二胎，丈夫的冷漠，家人的反对，老人的疾病让她左右为难，厉薇会不会生下这个孩子……...
关于她的五段情事
语言：西班牙语
简介：Five Hot Stories for Her五个热门故事:收录了5个短电影:专门为女xing和伴侣。Erika提出了五种现代城市,辛辣和色情故事具有自然、真实xing。 在M的一名足球运动员的妻子阴谋背叛自己的一个精巧的和制造xing的报复。 一些关于NADIA隔行三名妇女的故事体现祂们无法操纵的愿望奇异而迷人的纳迪亚。 结婚生子介绍弗兰克和丽塔已结婚八年来,有两个年幼的孩子,并通过所有账户都厌倦了祂们的婚姻,厌倦了对方。但祂们是什么隐秘隐藏吗? 在分手xing两个侽同xing恋者在最后一次见面的xing接触 一个高xing能的exec花许多时间考虑xing却取决于她的欲望,从不需要主动 hellip;直到现在。 五对都市人的xing欲现实电影，有未婚情侣。夫妻。同xing恋.青年中年...
镜子的另一面：纽波特民歌艺术节1963~1965
语言：英语
主演： BobDylanJoanBaezJudyCollins
简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....